Is 'Glee' Past Its Prime on the Music Charts?

The return of Glee to the small screen naturally brings the return of the Glee cast to the Billboard Hot 100, as well as an extension of the troupe's record for most entries in the chart's history.our editor recommendsWhy the 'Glee' Season Three Premiere Took a Ratings Dive (Analysis)'Glee' Season 3 Back to School Pictures Released (Photos) PHOTOS: 'Glee' Season 3: Back to School Pictures The Fox ensemble sends three songs onto the Hot 100 from the series' Sept. 20 third-season premiere: "It's Not Unusual" (No. 65), a remake of Tom Jones' first Hot 100 hit (No. 10) from 1965; "You Can't Stop the Beat" (No. 67), from the musical "Hairspray"; and, "We Got the Beat" (No. 83), which spent three weeks at No. 2 for the Go-Go's in 1982. With the bows, the Glee student singers pull even further ahead of Elvis Presley for the most charted titles in the Hot 100's archives. The cast has tallied 159 chart entries, ahead of runner-up Presley's 108 (with his career having predated the Hot 100's Aug. 4, 1958, inception). While the Glee ensemble is at the head of the class for most Hot 100 visits, are the act's grades slipping when it comes to their chart fortunes? PHOTOS: Behind the Scenes of Emmy Contender Glee's 'Rumours' Episode The cast's top-charting song this week ("Unusual") bows at No. 65 on the strength of 40,000 downloads sold, according to Nielsen SoundScan. By comparison, the top track from last year's second-season opener, the cast's cover of Jay-Z and Alicia Keys' "Empire State of Mind," began at No. 21 on the Hot 100 with sales of 106,000. In all, five Glee tracks debuted a year ago this week, all between Nos. 21 and 51, totaling sales of 409,000. This week, the download sales of the three debuting Glee tracks sold approximately one-quarter that amount (106,000). That's a pretty significant drop. PHOTOS: Fall TV Preview 2011: The Returning Shows Two more season-premiere singles even just missed this week's Hot 100 cut: "Ding Dong the Witch Is Dead" and "Anything Goes/Anything You Can Do" each sold 21,000 and enter at Nos. 2 and 3, respectively, on the Hot 100's Bubbling Under chart. (The five season-opening downloads sold 149,000). What could be behind the comparatively diminished interest in new Glee music this season as compared to last year? Let's brainstorm some possibilities. (Eyes on the board, spit out that gum and no starting your own show choir). Music selection: Based on this season's start, Glee is offering more Broadway and less mainstream pop music. Last season opened with the hip-hop sounds of "Empire State of Mind," as well as covers of then-recent dance/pop hits "Telephone" (Lady Gaga and Beyonce) and "Billionaire" (Travie McCoy). The following week, Glee paid tribute to Britney Spears, with five Spears songs from the episode subsequently reaching the Hot 100. This season's first two episodes, however, have featured selections from the likes of Hairspray and, this week, West Side Story (with "Somewhere" featuring Broadway veteran Idina Menzel). In "Unusual" and "We Got the Beat," the pop radio remakes have recalled not now, but 1965 and 1982. The show's penchant for show tunes stems from Glee creator Ryan Murphy, who, approximating the role of a McKinley High music professor, told the Hollywood Reporter earlier this year that "a lot of that stuff isn't taught. Or, the young audience is not exposed to it." While such a musical menu enriches a young audience's musical palette, it can also make for a tougher path to Hot 100 success. The youthful viewers that can most relate to the Glee characters are likely less familiar with decades-old songs, especially those that never received widespread radio play. Thus, they may be less inclined to purchase those songs digitally. Ratings: The third-season Glee opener was down 32 percent in audience compared to last fall's premiere, although it still drew a solid 8.9 million viewers. The Sept. 20 debut of the quirky Zooey Deschanel comedy New Girl following Glee logged an even higher total (10 million) than its lead-in. Perhaps the novelty of (the heavily-promoted) New Girl plays into a possible Glee glut: after two years (Glee premiered May 19, 2009), viewers, and, thus, music consumers, overexposed to Glee in its multi-media forms may be less stimulated by each new element of the series' product line. The season premiere's ratings dip was even seemingly forecasted just a month earlier when Glee: the 3D Concert Movie opened to a mere $5.7 million at the U.S. box office. (The film has grossed $11.8 million total, hardly a mark worth pinning on the refrigerator). A decrease in viewers, naturally, translates to fewer potential Gleeks downloading the series' musical souvenirs. PHOTOS: 'Glee' Takes NYC: Behind the Scenes Second (-season) guessing: What's behind the Glee ratings slip? Industry insiders and the blogosphere tend to point to a second season shorter on the more focused storytelling and character development of the series' first season. The show's sophomore season also splintered the cast, with the main New Directions glee club sharing time - and song selections - with Darren Criss' Warblers. Still, Fox is counting on Glee to remain a programming cornerstone. "I think, frankly, some of (the backlash) was inevitable," Fox entertainment president Kevin Reilly theorized to THR. "When you are burning that hot on anything, sooner or later there's going to be the other side of it. "There were a lot of things (that Glee) tried last season, some of which worked fantastically, others that felt like a little bit of a dead end or a dropped ball. But, what we've heard consistently is: 'I love the core characters. Can we just get back to them?' That's what you're going to see this season." Clearly, Glee has stormed the Hot 100 like no other act, taking advantage of a loyal viewership and the digital era to produce multiple chart entries week after week in-season. The cast's music having toppled the King of Rock and Roll's long-standing record for most Hot 100 hits in less than two years reinforces the series' chart clout, as do its 11 consecutive top 10 albums on the Billboard 200, including three No. 1s. Combined, Glee has sold 26.7 million downloads and 6.1 million albums, according to SoundScan. Taking music choices, the series' ratings and plot arcs into account, what will the future impact of Glee be on Billboard charts? Stay tuned. Related Topics Glee Chris Colfer Lea Michele Ryan Murphy Cory Monteith Darren Criss

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Utah Theater Fined for Showing Sexually-Explicit Hangover Part II

The Hangover Part II may have been wildly popular everywhere else in the world — in part thanks to the sexually-suggestive shenanigans its heroes get involved in, transvestite genitals and all — but there’s one place where those hijinks don’t fly: Utah. Good old morally-stringent Utah, where one theater was fined $1,627 for screening the R-rated blockbuster comedy on account of its “attire and conduct violations.” (That’s $400 more than what a local restaurant was fined for serving alcohol to a minor, by comparison.) The Brewvies Cinema Pub is a Salt Lake City theater that serves beer in movie screenings, which is how they got popped; under the jurisdiction of Utah’s strict liquor laws, the pub is subject to Utah Department of Alcoholic Beverage Control rules against mixing alcohol with “certain sex acts and full frontal nudity.” And boy, does The Hangover Part II have plenty of both. From the Salt Lake Tribune: The Utah Highway Patrol’s liquor enforcement team conducted the sting against Brewvies in June at the request of the liquor-control department, said UHP spokesman Dwayne Baird. The liquor department’s request was based on a complaint by a strip club that it had been cited for sexually explicit violations while Brewvies was getting away with showing equally explicit films. Thanks a lot, strip club guys! [Salt Lake Tribune via CinemaBlend]

ABC's 'The Chew' Debuts Better Than CBS' 'The Talk'

ABC ABC launched its All My Children replacement, lifestyle series The Chew, on Monday to 2.5 million total viewers, a larger opener than the 2.2 million who tuned in to the first episode of CBS' The Talk. The Chew, co-hosted by Clinton Kelly, Mario Batali, Michael Symon, Carla Hall and Daphne Oz, outrated The Talk's premiere in three key demos: women 18-34 (167,000 vs. 158,000), women 18-49 (590,000 vs. 568,000) and women 25-54 (732,000 vs. 672,000). PHOTOS: Famous Alums of 'All My Children' The Chew, largely focusing on food, lifestyle and nutrition, outperformed All My Children's season average from 2010-11 in total viewers (2.5 million vs. 2.4) and the women 18-49 demographic (0.9 rating vs. 0.8). During the summer Television Critics Assoc. press tour in early August, the hosts and producer of The Chew defended their show to a roomful of reporters. "We hope that [soap fans] enjoy our show," said executive producer Gordon Elliot. "We were asked to come adn join the daytime lineup because the daytime tastes have changed. Really we're just [filling] a need that was already there. We would love the soap fans to share a little bit of us." Kelly, who also co-hosts TLC's What Not to Wear, said, "People tune in to soaps because they feel the casts are their friends. ... We can't be soap operas but we can be a group of people you can hang out with." All My Children ended its run on ABC on Friday, Sept. 23 and Prospect Park announced Tuesday that it will launch online in January. One Life to Live is slated to say farewell early next year. TV Ratings All My Children

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Big stars, bigger fish

Harry Connick Jr. and Morgan Freeman get a grip on dolphins. Producer Broderick Johnson with son Micah and David Yates. Westwood's Broxton Avenue near the Village Theater became an underwater playland for the Sept. 17 preem of Warners' "Dolphin Tale." Winter, the pic's star dolphin, was absent, but by the sound of it, Winter would fit right into Hollywood.Best four months of her life were filming," said David Yates, pic's co-producer and CEO of Florida's Clearwater Marine Aquarium, where Winter lives. "She loves the attention. I call her my little dolphin diva!" The day before in Florida, the junket at Hyatt Regency Clearwater Beach Hotel brought out the human stars, who talked about performing with an aquatic mammal. I've never worried about being upstaged," Harry Connick Jr. said. "I do it every night with my band." The joy in doing anything is getting paid," Morgan Freeman said. Contact the Variety newsroom at news@variety.com

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Toronto 2011: 'Where Will We Go Ahead Now?A Wins Audience Award

Participants from the Toronto Worldwide Film Festival have chosen to award the 2011 Cadillac Individuals Choice Award, the festival's greatest recognition, to Nadine Labaki's Where Will We Go Ahead Now?, a Lebanese drama that opened in the Cannes Film Festival in May and it is still seeking domestic distribution. Where Will We Go Ahead Now? won over many other popular options including Jonathan Levine's 50/50, Michel Hazanavicius's The Artist, Jim Area Cruz's Butter, Alexander Payne's The Descendants, Nicolas Winding Refn's Drive, Jennifer Westfeldt's Buddies with Kids, Luc Besson's The Woman, Bennett Burns's Moneyball, Dee Rees's Pariah, Oren Moverman's Rampart, Steve McQueen's Shame, and Shaun Nichols's Take Shelter. PHOTOS: Toronto Film Festival: 13 Films to understand Labaki's film follows women of various religious organizations who band together and turn to state-of-the-art and surprising schemes in order to save their community from giving up to violence. TIFF's audience award has been around since 1978. The majority of its 33 previous those who win continued to garner attention in the Academy - they've paid for for 105 nominations (including 10 for the best picture for 9 for the best language film), 39 which led to wins (including 4 for the best picture and 5 for the best language film) - that has assisted to cement TIFF's status among the first important stops around the honours trail. (For any full report on previous TIFF audience award those who win, and just how they worked out in the Academy awards, click the link.) Toronto Worldwide Film Festival

Lionsgate names Mark Rachesky co-chairman

Lionsgate has named investor Mark Rachesky , who is the owner of 37 percent from the small-major -- as co-chairman from the board.The appointment of Rachesky, who'll share the co-chairman title with Boss Jon Feltheimer, was revealed inside a regulating filing. A spokesperson for Lionsgate had no comment Thursday.Rachesky, who had been named towards the 12-member Lionsgate board last year, agreed two days ago to enhance his stake in the organization included in an August. 30 settlement by which Carl Icahn decided to sell his 33 percent stake and finish a number of disputes using the small-major. Rachesky, leader of MHR Fund Management LLC, decided to pay $77 million to purchase one fourth of Icahn's stock at $7 a share included in the settlement.Rachesky, who had labored with Icahn before striking out by himself, had consistently backed Lionsgate management throughout the bitter three-year fight with Icahn.Lionsgate drawn on Rachesky for that board 2 yrs ago included in its slate after Icahn have been rebuffed in efforts to achieve seats about the panel. At that time, Rachesky possessed 19.8% of Lionsgate and changed Mark Amin about the board.In This summer, 2010, Rachesky was at the middle of what grew to become a vital dispute with Icahn inside a $100 million debt-for-equity deal as Icahn was trying to consider over the organization via a number of hostile tender offers. The transaction reduced Icahn's stake from 37% to 33% and increased Rachesky's holdings to 29%. The Rachesky deal triggered law suit by Icahn, who alleged the minimajor's management and board was underhanded and less than professional while Lionsgate frequently described Icahn like a meddler having a poor history of trading in entertainment companies.The fight with Icahn started ebbing last December when Lionsgate effectively survived a spirited proxy fight with Icahn. The August. 30 accord permitted Icahn to interrupt even by selling his 33% stake in the organization at $7 a be part of a number of deals amassing about $309 million. Under that surprise pact with Icahn, the 2 sides decided to dismiss all outstanding lawsuit together -- getting to some close a tumultuous three-year period that saw Icahn accuse Lionsgate management frequently of overspending and neglecting to raise the stock cost to anywhere near its 2007 a lot of $12. On Tuesday, Lionsgate held a short annual meeting in Toronto, which Rachesky didn't attend. Feltheimer emphasized the positive, using the 40 approximately participants through what he known as Lionsgate's "finish-to-finish solution" for "Weeds." Lionsgate introduced Thursday it had wrapped production in New York on which it hopes is a B.O. franchise in line with the "Hunger Games" book trilogy. Lionsgate shares were up 12 cents to $7.08 Thursday.Rachesky is co-founder and leader of MHR Fund Management, that has been a significant Lionsgate investor for more than 5 years. He labored being an Icahn strategist from 1990 to 1996. Rachesky presently can serve as non-executive chairman from the board of company directors of Loral Space & Communications and Leap Wireless Worldwide Corporation. He's about the board of company directors of Emisphere Technologies. Contact Dork McNary at dork.mcnary@variety.com

Warrior Prize Pack Giveaway: There exists a Champion!

Let’s participate in it for that site visitors, fans and ambitious MMA mma fighters who required part within our 10-word review contest for Gavin O’Connor’s Warrior, starring Tom Sturdy, Joel Edgerton and Nick Nolte. We’ve received a range of thoughtful distribution but alas, we are in a position to only select one since the champion. Click ahead to find out whose knockout review acquired him/her a prize pack in the ultimate Warrior memorabilia. Congratulations, Claudia Gorda for the next review: “Broke my heart, but provided hope. Forgiveness is everything.” We're calling you individually from your submission info to make sure you obtain your Joel Edgerton-signed MMA glove, Males of Warrior coffee table book, Warrior T-shirt then one-sheet. I only wish that individuals stood a tear-stained Moby Dick audio book to accomplish this package! Again, because of everyone who aided get this Warrior giveaway good event yet. Return inside a couple of days for just about any special Breakfast at Tiffany’s giveaway.

ABC runs spread offense for 2011-12

With a dozen series to launch during the 2011-12 season, ABC entertainment president Paul Lee is mindful of the perils of fall premieres: The only frosh ABC series of 2010-11 that survived was "Body of Proof," a show Lee moved off the fall schedule and into midseason." 'Body of Proof' didn't have a lot of buzz, but we knew it was great and we wanted to protect it because we could give it a real launch after the Oscars," Lee says.Says "Proof" star Dana Delany: "Paul saved us. We would've been lost in the fall glut."That strategy has led to him holding back the cheeky soap "GCB" (formerly "Good Christian Belles" and, before that, "Good Christian Bitches") to midseason, even though it boasts a lot of buzz."Shows like 'GCB,' (thriller) 'The River' and (sitcom) 'Apartment 23' are all superb in their own way, but they need their space," Lee says. "We can find a moment and throw the network at it, whether it's using the Oscars or Christmas to launch them."Lee understands the danger inherent in a glut of series debuting in late September. "We clearly think a staggered fall is important," he says. "We'll launch our dramas first, then comedies a couple of weeks later, then 'Once Upon a Time' around Halloween, when we can use our launched shows to help it."We haven't said, 'Let's put all our best shows up front.' We've scheduled them all the way through the year to give us a good chance to get these shows going and get some momentum behind them."Though Lee believes his scheduling strategy is sound, he admits, "You never know. It sounds good now. But I've done this long enough to know that you're going to stumble and fall." SPOTLIGHT"Once Upon a Time"Adam Horowitz and Edward Kitsis ("Lost") created this fantasy about fairy-tale characters stranded in mysterious Storybrooke, ruled by a wicked queen (Lana Parrilla). The characters don't realize their true identities; they live as 9-to-5 drudges. Even ethereal Snow White (Ginnifer Goodwin of "Big Love") is merely a timid teacher.Cynical skip-tracer Emma Swan (Jennifer Morrison, "House") -- secretly, Snow White's daughter -- is summoned to Storybrooke by a boy claiming to be her son (Jared Gilmore). She's skeptical, yet senses something sinister in the town.Juxtaposing flashbacks to the fairy-tale world with life in Storybrooke, such a series could only come from "Lost" alumni, who insist reversing the spell is not a high priority.Even Morrison's no-nonsense character comes around. "She's thinking, 'How can I get this taken care of so I can get on with my life?' " Morrison says. "And there's a turning point where she realizes that she cannot separate herself from her son, which is what keeps her there." NEW FOR 2011-12"Charlie's Angels"Miami-based reboot of the '70s camp classic about three kick-ass women (now played by Minka Kelly, Rachael Taylor and Annie Ilonzeh) who right wrongs as assigned by the disembodied voice of Charlie. Ramon Rodriguez co-stars as helpmate Bosley. "Last Man Standing""Home Improvement" mainstay Tim Allen returns to TV as a man's man in a household cluttered with women-folk, for whom testosterone-fueled insights don't always serve as palliatives. How will he survive the estrogen overload? Nancy Travis and Hector Elizondo co-star. "Man Up"Three immature men (Mather Zickel, Danny Fogler and series creator Christopher Moynihan) try to make sense of a world that has seemingly emasculated them. Teri Polo, Henry Simmons and Amanda Detmer co-star; critically admired Victor Fresco ("Better Off Ted") serves as executive producer. "Pan Am""Mad Men" on a plane, with spies. Christina Ricci ("The Addams Family") headlines this '60s-era ensemble melodrama about an international flight crew -- pilots and flight attendants alike -- who traverse the globe with love and espionage in tow. "Revenge"Emily Van Camp ("Everwood") plays a young woman returning to the Hamptons, keen on meting out justice to everyone who helped destroy her father. It's a long list, with Madeleine Stowe's Victoria Grayson at the top, but she's saving the worst for last. "Suburgatory"Quirky sitcom about Tessa (Jane Levy), a precociously witty teen wrested by her protective single father (Jeremy Sisto) from Manhattan to the ostensibly safer environs of suburbia. Which, naturally, Tessa initially loathes. Cheryl Hines ("Curb Your Enthusiasm") co-stars. "Work It"Where to start with this one? Two men (Ben Koldyke and Amaury Nolasco), victim of the down economy, dress in drag to land gigs as pharmaceutical reps. Though they're obviously guys, their female colleagues are oblivious to their subterfuge. Contact the Variety newsroom at news@variety.com

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Sundance Alum Olivia Silver Directing First Feature 'Arcadia'

Olivia Silver Writer-director Olivia Silver is making her directorial debut with the indie coming-of-age drama Arcadia. John Hawkesstars in the film, which is shooting in Los Angeles this month. Silver's UCLA thesis short filmLittle Canyon screened at the Sundance Film Festival in 2009. Arcadia is a feature-length version of the short that was developed at the Sundance Institute's producing and directing labs. In the film,Hawkes plays Tom, a father struggling through a rough relationship with histwelve-year-old daughter (played by Ryan Simpkins) while taking their family across the country to California.Ty Simpkins and Kendall Toole round out the main cast. The DViant Films/Poisson Rouge Pictures project is being produced byJulien Favre and Silenn Thomas.The film is backed by producerJai Stefan's Shrink Entertainment and executive producerJeremy Bailer's Madrose Inc., in association withRick Rosenthal's White Water Entertainment. Silver is repped by Apostle Management. Repped by Innovative Artists and Thruline Entertainment, Hawkes has recently appeared in Higher Ground, American Gangster and Winter's Bone, which earned him an Oscar nomination. His next films include Martha Marcy May Marlene and Contagion, which opens tomorrow.

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Malick picks his next leading lady

Terrence Malick's shown taste for unknown female leads has lifted the careers of Sissy Spacek and Jessica Chastain, and today he's selected his next femme, who'll join the helmer's untitled project with Christian Bale. Malick is writing and pointing the project, even though no deal continues to be struck, sources tell Variety the auteur makes up his mind regarding who definitely are in next summer's scheduled shoot. Variety reported earlier Thursday that Hayley Bennett was the main one, but sources now say another candidate could close the offer. Clemence Poesy was another within the mix that, despite Malick's affinity for lesser-known female leads, incorporated Rooney Mara and Mia Wasikowska. Sarah Eco-friendly and Nicholas Gonda are creating the pic, likely to shoot next summer time. Out of the box customary using the director, story particulars haven't been revealed. Neither WME, which reps Bennett, nor the producers had discuss the casting process. Malick is presently in publish-production on his approaching untitled film starring Film Clip, looking for a 2012 release. Though that cast includes well-knowns Rachel McAdams and Rachel Weisz, auteur's previous projects have featured beginners like Q'orianka Kilcher ("The " New World ""), Chastain ("Tree of Existence") and Spaceck ("Badlands). Bennett's greatest profile roles were a supporting submit "Marley & Me" so that as Molly Hartley within the 2008 film "The Haunting of Molly Hartley." She's presently focusing on the pilot "Outlaw Country" for Forex. She's repped by WME and also the Schiff Company. Contact Justin Kroll at justin.kroll@variety.com

Steve Martin, Jack Black and Owen Wilson Mine Mid-Life Crises For Comedy in The Big Year Trailer

“We just need a little adventure. […] A big year to do everything we never could,” explain the trio of lead characters in the trailer for David Frankel’s The Big Year. Because 365 days worth of adventure-seeking and ticking off bucket-list items will surely drive the crises right out of Steve Martin, Jack Black and Owen Wilson. And at the very least, that “big year” will give the comedic actors a reason to goof around on skis, forge meaningful bonds and, most likely, realize that the cure to their middle-aged woes have been in plain view the entire time. Or am I missing the plot entirely? Apparently, I am. Because in spite of the trailer that pitches The Big Year as The Great Outdoors meets Planes, Trains & Automobiles meets Jack Black eating pretzels in his underwear, there is a narrative that exceeds three guys palling around in windbreakers. Specifically, The Big Year is about three men obsessed with birdwatching (Martin, Black and Wilson) who embark on a year-long challenge to find the most species of birds in North America. Understandably, 20th Century Fox buried that narrative deep, deep, deep in the trailer, but how will they manage to distract audiences from that plot come October? Regardless, outdoors man fun! A great cast (Anjelica Huston, Rashida Jones, Rosamund Pike, Dianne Wiest, Jim Parsons, Anthony Anderson and Joel McHale)! Steve Martin and Jack Black, together in a kayak at last! Look for the Ben Stiller-produced Big Year in theaters October 14. VERDICT: To paraphrase The Big Year’s tag line: Everyone is searching for something… but nobody is looking for a birdwatching buddy comedy.

Australian Human Centipede 2 Teaser Alleges Cuts in U.S. Version; Distrib Isn't Talking (Yet) -- UPDATED with First Image

Last anyone heard from team Human Centipede, led by the redoubtable, utterly demented filmmaker Tom Six, the third film in the series was eyeing a U.S. setting. Those plans might go south depending on whether or not Six and Co. can even get the controversial Human Centipede Part 2: Full Sequence screened uncut and uncensored when it opens Stateside next month — an inevitability that a new, NSFW Australian teaser wouldn’t have you count on. Several requests for comment from representatives for IFC Films, which opens The Human Centipede Part 2 on Oct. 7, have gone unanswered, while another representative vaguely explained that an official statement may be forthcoming Wednesday morning. That is not what I’d call an encouraging development for fans looking forward to the sequel that was infamously banned in the UK in June; usually, when faced with a galvanizing piece of work like Six’s, a specialty distributor runs with any and all scandal it can harness. It does not shrink away while some schmucks halfway around the world control the conversation with their own marketing campaign. Speaking of which, here’s the video — basically a succession of reaction shots from actors viewers supposedly checking the new film out in the back of a mobile screening unit. All you get from Centipede 2 itself are sound effects, which you’ll find is likely enough. [via Twitch] UPDATE: IFC Midnight has released the first Human Centipede 2 image, a still of the the sequel’s British villain (Laurence R. Harvey). Talk about changing the conversation. Is Harvey’s bug-eyed mug enough to deflect attention away from the speculation of an American re-edit? Well, just take a look (via Entertainment Weekly): Yup. Pretty effective.

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